This exhibit examines early New World textual encounters between Europeans and Amerindians through selected rare books and original manuscripts from The Latin American Library’s special collections. We focus specifically on how disparate conceptions of language and writing played out as ideological and discursive features within key texts. Reflecting the Library’s collection strengths, the exhibit focuses most prominently on Mesoamerica.
An exploration of Italian influence on New Orleans opera from the late 18th century to modern times.
“Mary Gehman’s Feminist Ephemera: Violence Against Women” examines the mistreatment of women in New Orleans in the late twentieth century. This exhibit draws materials from the “Feminist Ephemera Series” in the “Mary Gehman Papers Collection,” housed in the Newcomb Archive on Tulane University’s campus. Mary Gehman is a feminist, journalist, and activist who lived in New Orleans from 1970 until 2005, when she migrated to Donaldsville, Louisiana, after Hurricane Katrina. Though involved in numerous movements in New Orleans, Gehman asserts that her role as a journalist and the editor of Distaff was the highest priority in her life. Gehman collected materials from local events that informed her journalism and publication.
Gehman donated her files on women in New Orleans and Louisiana, as well as the materials she collected through her job as the editor of Distaff, to the Newcomb Center for Research on Women at Tulane University in the spring of 2016. These materials include not only Feminist Ephemera, the second series, but also the first series in the larger collection, which consists of original copies of Distaff. The third series in the collection is a general papers and publications series, including correspondence, Distaff planning and layout documents, feminist periodicals and newsletters, and newspaper clippings. The Feminist Ephemera series is comprised of ephemera, which are items that one would typically discard after the first use or until the purpose of the material is fulfilled. Examples include newspapers, flyers, and pamphlets.
Though the Feminist Ephemera series comprises a plethora of issues, the history of violence against women is one that seemed most imperative to explore, particularly in the wake of the Tulane Climate Survey on Sexual Misconduct. The survey, which was released on January 31, 2018, reports that nearly half of undergraduate women at Tulane have experienced sexual assault during their time at the university. The majority of the items in the collection were created three decades ago, making it clear that this issue has been one plaguing Tulane and the greater New Orleans community for decades.
The exhibit displays items about not only rape and sexual harassment, but also domestic violence, disparaging representations of women in the media, the group Women Against Violence Against Women (WAVAW), and the Take Back the Night march, founded by WAVAW and still operative today. This exhibit depicts how the dialogue surrounding and the language used to describe these atrocities have changed greatly in recent years. Certain items in this exhibit show how the issue was discussed at the time, such as the item “A Study of Rape Booklet,” in which the activism focuses on prevention and coping on part of the victim, rather than preemptive efforts to stop the perpetrators from committing the crimes. Though the discourse surrounding culpability and equality is changing for the better, it is imperative we look to the past to understand how we can change the future.