Alongside the printed text are pictorial representations of Christian cities, providing views based on prominence and biblical relevance; topographical portrayals of cities are displayed alongside a written description of a place’s history, providing a map through space and time. A depiction of Venice is emblematic of these city views–the two page print becomes a portrait of the Italian city alongside the written history that grants the representation its credibility. Recognizable features such as the Doge’s palace are a testament to the illustrator’s attention to verisimilitude, yet overall likeness comes from the feeling the image invokes rather than its accuracy. Venice is portrayed as a cultural and economic hub, bustling with activity that paints it in its contemporary likeness. The past is not forgotten, however, as the building density reflects Medieval sentiments allowing for a holistic view of Venice to encapsulate the viewer.