Pearlie Posey & Sarah Mary Taylor

Women in Power in the Arts

Pearlie Posey (1894-1984) is known for her pieced and appliqué quilts that utilize templates made by her daughter, Sarah Mary Taylor. During her childhood in the Mississippi Delta, Posey understood quilting as a communal activity. On Sunday mornings, the women of the family would gather at one house and make quilt tops out of old clothes. She learned to quilt from her grandmother and her mother made quilts for her until her untimely death when Posey was five years old. The quilts Posey crafted for her own children were like testaments of her love, as she explained, “Then if the Lord take me and leave you… I say you’ll have some covers.”

Posey came to be a source of living historical knowledge and often shared her memories of how quilts were made in her rural community during the early 1900s:

“In my time, would be a family there and a family there and a family there and we would get together and tear up old clothes, overalls and linings and everything and piece quilt tops and linings… If I was ready to quilt one, well, four or five women Sunday morning come to my house and put one in. That’s the way we quilted, just quilt and laugh and enjoy ourselves.”

Sarah Mary Taylor (1916-2000) began learning the basics of quilting at the age of 9 from her mother, Pearlie Posey. Taylor’s inventive spirit shone though her quilt concepts, which used figures and forms from television, catalogs, magazines, and even cereal boxes. In her Purple Hand Quilt (1985), commissioned for use in the film The Color Purple, Taylor used her own hand to trace an appliqué motif. Taylor preferred simple, bold designs in asymmetrical patterns – demonstrating continuities between African and African American textile traditions. Similarly abstracted patterns appear in the appliqué textiles of the Ashanti, Fanti, Ewe, and Fon peoples.

Today, Posey’s and Taylor’s quilts are considered collectors’ items, with many of them housed and exhibited in major art museums.

Suggested Resources:

Carol Crown. “Sarah Mary Taylor.” Mississippi Encyclopedia. Center for the Study of Southern Culture.

Kyra E. Hicks. Black Threads: An African-American Quilting Sourcebook. Jefferson, NC: McFarland, 2003. NK9112 .H53 2003

Maude Wahlman. Ten Afro-American Quilters: Featuring Mozell Benson, Arester Earl, Johanna Pettway, Martha Jane Pettway, Plummer Pettway, Susie Ponds, Pearlie Posey, Sarah Mary Taylor, Lucinda Toomer, Pecolia Warner. Oxford, MS: The Center for the Study of Southern Culture, The University of Mississippi, 1983. Rare Books, TT835 .W34 1983

Maude Wahlman. Signs and Symbols: African Images in African-American Quilts. Atlanta GA: Tinwood Books, 2001. Amistad Research Center, NK9112 .W33 2001b


Image of a quilt, shadow images of children exercising against brightly colored blocks of fabric.
Image of a quilt, animal silhouettes and brightly colored blocks and rectangles.
Image of a quilt with hand silohuettes in bright colors.
Image of a quilt with cats against red background and the word paint appliqued in the middle.